It’s November, and I’m back at Seawind Meadows, in Dennis. Lucky to have a chance to paint Nicky enjoying a pumpkin breakfast this close!
I decided to focus on the cattle and not a full landscape today.
Focusing on only what was in front of me gave me a chance to have fun painting the cattle. The stone wall and tree trunks were added at the beginning for color notes and composition. I believe this study breaks the rules “two trees, two cattle odd numbers.. etc.. funny how that happens!! Thank you! Catherine
My husband Philip is also the person who started me on my plein air journey…
On a trip traveling through the beautiful state of Vermont, Philip and I stopped along Lake Champlain. The view was amazing… Philip set up his easel and surprised me by setting up a pochade box on the picnic table for me. He said “don’t over think it, just have fun!” (smile).
Before I knew it, Philip started patiently and methodically cleaning his palette, he was in his element, outdoors and calm. In a short time, he had completed an amazing painting… Looking at my painting and looking at Philip’s, I didn’t feel intimidated, I felt exhausted, two hours had slipped by unnoticed… I was hooked. I wanted to learn everything I could about plein air painting.
I love coming across that painting. I will never rework or finish it. Some paintings like the one I painted that day are becoming my “travel journal” in oils. That day in Vermont, we painted together for the first time, and we still are… and this week we will be celebrating our sixth wedding anniversary!
I’m glad I found the courage to paint that day and catch “plein air fever” from Philip! -Catherine
“Courage is the most important of all virtues, because without courage, you cannot practice any of the other virtues consistently”. Maya Angelou
This year, one of my plein air painting goals is to try to work out of my “archive box” of unfinished paintings. To be able to say “TA-DA!” (smile). These paintings, for one reason or another, I brought home unfinished, they have potential… learning potential.
So, this year, before I revisit a plein air location, I riffle through my archive box of unfinished paintings, looking for one from the same location.
As I spray the painting with retouch varnish I ask myself what I liked about the painting and how I might improve it. I don’t concern myself with the weather or season changes… only to attempt to improve the painting.
Out of Archive Box came the Jonathan Young Windmill in Orleans.
Above is the painting I brought home September 2014.
Here is the painting after I reworked it yesterday, June 2015. It still might need work, but hopefully you’ll agree I improved it!
I find that being able to finish a painting in 2-3 hours outdoors is an amazing accomplishment. Until I can get myself up to that speed, this practice is the next best thing! -Catherine
Here is my new Strada Easel and Kelty Redwing Pack. I love them, (a birthday present from my wonderful husband, Philip!). Click here to go to Strada Easel. The Kelty Redwing 44 Pack is recommended by Strada and they know what they are talking about. The pack is great and fits everything I need. Many thanks to Orleans Camera for helping me find the right tripod. Click here to go to Orleans Camera.
A spray with retouch varnish and I’m going to give this July scene another try. Even though this morning is barely 50º (degrees).
I wanted to use My Art Cocoon wet paint carrier with my Strada Easel. Since this wet paint carrier is wider than the easel’s metal support bracket, I wrapped a small bungee around the My Art Cocoon and the Strada cavas holder. Back to front.
The bungee hooks held nicely to the metal bracket at the top of the easel. I was able to paint and then carry my painting in my pack without any mishaps!
It’s hard to believe that at 6:30 a.m., the temperature is 39º this late in April! Being an optimist, I thought to myself, “if it were early March, I’d be thinking it was a pretty nice day!” The good news is that the blooms on the magnolia tree are a sign that spring is here!
After toning my 12 x 12 canvas panel, I decided to start painting the negative space with some sky color in the distance.
I’m only going to work with a few colors and hope I get a nice feeling.
I wanted to paint a group of blossoms with only a scattering showing details.
Toning my canvas is something I don’t always do. I did today and I like the way I could map out the light and dark areas for my composition.
I did have a mishap this morning… It was windy, and I didn’t take the time to weigh down my easel (you know where this is going!). After I picked up my stuff, and brushed off the sand and grass, it was time to pack up. The blossoms with have to be added another day. But, this was a great morning!
Although the title of this blog, Practice and Patience Plein Air, was thoughtfully chosen because it embodies our journey -this winter, I haven’t been able to practice as much.
The lesson of practice and patience was reinforced again last Saturday morning at Salt Pond Landing. Click here for Salt Pond Visitor Center information.
Because I haven’t been able to paint outdoors for a couple of months, I felt very rusty that first morning out and fumbled a bit getting everything set up. Frustration set in as as we attempted to capture the scene in front of us. Thankfully, it was the first really spring day of the season and just having the sun shining on our faces and on the water was a huge inspiration. As I wrote in my last post, I wanted to try a palette knife in place of a brush to practice layering color on the canvas. Combining this “foreign” technique ( although with my level of experience, all of the techniques could be considered foreign) with being rusty painting outside was daunting to say the least.
To overcome that feeling of “Oh brother, this is so hard” we decided when we were both finished to say prop the paintings on the rocks and to each say one thing that we liked about our own paintings and one thing that we liked about each others. Here are those paintings and a short transcript of what we said. We then packed up our stuff and hiked back to the car with smiles on our faces.
I said that I really liked the distance/perspective that Catherine painted in the left one and for the right one, I liked the building and the water. For mine, I liked the sky in both.
I love the use of Britt’s bold use of color, and for mine, I liked the wide brush stroke on the lower right of the painting, trying to suggest the curve in the shoreline. -Catherine
People have asked if there is a polite way to approach a plein air artist while the artist is out painting.
Unless the artist is on a deadline to complete the painting, most artists will welcome your interest in their work. That being said, you can’t possibly know without breaking the artists concentration.
If you want to see the finished painting…
If you would like to see the finished painting, hand the artist your email address and request an image of the completed painting. Most artists will appreciate you being considerate of their work time and happily send you an image, or give you the name of a gallery where the painting will be exhibited. Hope this helps! – Catherine
Of course, you can’t tell from this photo, but it was about 32 degrees this morning. We wanted to see what it is like painting in the COLD. We actually were able to last about 2 hours. As you can see we really bundle up with layers and then try to have everything all set before we go out – paint on the palette, handwarmers, and foot warmers.
Sheep, goats, and cattle enjoying a warm morning at Taylor-Bray Farm in Yarmouth Port.
My mind was set on painting the sheep grazing in this pasture. Then I noticed the sunlight highlighting the foliage on the trees.
I went to work on the the foliage. (This is were I only needed to make color notes on my canvas of the foliage so I could get back to painting the sheep).
The light changed quickly, and the sheep moved to the back of the pasture, ugh! I didn’t take the time to block in a few of the sheep that made up my composition. It was time to stop… WIPE IT OUT! Yes, it’s o.k., it is my painting and there will be others… Continue reading “Patience” at Taylor-Bray Farm -Catherine→